《歌舞昇平》裡有幾個如果是肥皂劇劇情肯定會被安排連成一(yī )線的家庭(tíng ),他們口(kǒu )中的悲慘命運是如此曖昧地有異曲同工之妙,令(lìng )人在觀看時會想那是誰的誰,那人跟那人又有(yǒu )什麼關(guān )係。 其(qí )實唯一的關聯是五個家庭同樣領取「綜援」,但每個故事卻往不同方向發展。他們貧窮的理由或許不一樣,處境也不一樣,結果,卻都發展成十分相(xiàng )似(sì )的生活狀態,殊(shū )途同歸的境地,幾乎都是對貧窮的習慣和適應,影片裡穿插著過年(nián )的片段,又和典型中國人過年有難以區分的(de )相同與不同。 The film explores the hidden face of poverty in one of the world's most affluent and capitalistic cities. Directed by CHEUNG King Wai (KJ Music and Life), the film follows five Hong Kong families of different backgrounds that receive government subsidies. How do the poor get by in a glossy city that flaunts conspicuous consumption and hides poverty in cavernous public housing estates All's Right With The World shares the different stories of these low-income families, their daily living conditions, and their ways of celebrating Chinese New Year. 获奖情况: 2008年(nián ) 入圍第(dì )32屆香港國際電影節競賽單元 2008年 入圍韓國首爾獨立電影電視節 2008年 入圍第20屆飛帕電影節请收藏我们的网站:www.xingyinhao.com
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